“The Golden Ratio” and “Pentagrams”
I was not familiar with the golden ratio, although I’ve seen it mentioned in my textbook. It is not part of my curriculum so I never paid much attention to it. Nor do I remember ever learning this when I was in grade school.
My textbook talks about the golden spiral and I think it is interesting that the golden ratio can be applied to other shapes. It used to seem kind of trivial, but now that I see it appears in different places, it seems pretty cool.
I thought it was really interesting how the sides of the pentagram could be simplified to either 1, Φ or 1/Φ. The image and text that I am referring to is shown below and can be found at http://www.contracosta.edu/math/pentagrm.htm
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In this next figure (to the left) is a regular pentagon with an inscribed pentagram.
All the line segments found there are equal in length to one of the five line
segments described below:
The length of the black line segment is 1 unit.
The length of the red line seqment, a, is Ø.
The length of the yellow line seqment, b, is 1/Ø.
The length of the green line seqment, c, is 1, like the black segment.
The length of the blue line seqment, d, is (1/Ø)2,
or equivalently, 1 – (1/Ø), as can be seen from examining the figure.
(Note that b + d = 1). |
I also found this image of Venus’s “orbit” around Earth interesting. It is explained that this path takes the form of a pentagram and nearly repeats itself (you can see the shift near the dot representing Venus).

http://en.wikipedia.org/wiki/File:Venus_pentagram.png
I also liked reading about all of the historical and religious references that are made to the pentagram. I wondered about why there was this fascination and if it had anything to do with the golden ratio. Or was the golden ratio more of an afterthought? After reading some things on Wikipedia, it sounds like it was more of an afterthought.
“Nonlinear Patterns” and “Fermat’s Theorem”
I recently read about Fermat’s Theorem somewhere and I was interested in knowing more about it. Suite101.com explains Fermat’s Theorem below:
The Theorem
Consider the Pythagorian theorem:
a² + b² = c² (or, a squared plus b squared equals c squared). This is one of the most revolutionary discoveries in the history of mathematics.
In its simplest instances, this theorem can be solved using only non-zero integers. For example a = 3, b = 4 and c = 5. This, and other examples, hold true: 9 + 16 = 25.
But what happens, Fermat asked, if this theorem is written as a^n + b^n = c^n? In other words, if instead of squaring each of these numbers, they are raised to a power higher than two? Fermat’s hypothesis was that in any case where n > 2 (n is greater than two), it is mathematically impossible to find three non-zero integers, a, b and c that satisfy this equation.
Read more: http://math.suite101.com/article.cfm/fermats_last_theorem#ixzz0JNKY3qJg&C
I think I find this theorem interesting for the same reason that so many mathematicians did over the years. It looks so simple and its proof is so difficult. It’s nice to know that not everything has been figured out. That there’s still a bit (or perhaps a lot) of mystery left. The other funny thing about all of this is that Fermat acted like he had the proof but didn’t bother telling anyone what it was. Part of me wonders if he was full of himself. It reminds me of a story I remember hearing about Newton, about how he knew that the orbital paths of planets were ellipses and he proved it, but he lost the proof. (He actually did reprove it later I believe…unlike Fermat, Newton was the man.)
Non-linear Patterns at Home
I’ve been something of a musician for a good chunk of my life and my primary instrument is the tuba. I was trying to figure out some kind of pattern while looking at my tuba, such as the lengths of the tubing, but nothing really came to mind. I then looked at my acoustic guitar (which I am terrible at) and immediately noticed the distances between the frets getting smaller as you work your way down the fret board. I know that the frequency of the note played is dependent on the length of the string and that the next fret up will provide the next note in the chromatic scale. I’m sure that if I were to measure the distances between these frets, I would see some kind of pattern.
Adapting the Webquest to my Classroom
What I really liked about this webquest is that it leads to other learning (and not necessarily all related to math). I think it is really helpful to understand all of the contexts of how something is used to appreciate it. While I may not do a webquest as described here in my class, I like Countryman’s idea of a formal paper and I could see using some of these topics as part of that assignment. Naturally, the students would be doing some kind of webquest when they research the topic for their paper.